![]() Roney's approach is becoming increasingly all-inclusive. ![]() ![]() With the same core group as on Prototypepianist/keyboardist Geri Allen, reed player Antoine Roney, keyboardist Adam Holzman, bassist Matt Garrison, and drummer Eric Allenit's not just about the evolution of the leader's approach, this time it's also about the evolution of a collective sound. His approach may be filtered through myriad influences from Coltrane to Herbie Hancock's Mwandishi group and early Weather Report, but at the end of the day he sounds like nobody but himself. But anyone who has listened to Roney's voicemost notably beginning with '97's Village, where he began to assimilate African rhythms and more electric orchestration, and continuing through last year's fine HighNote debut Prototypewill realize that in some ways Roney is no different than anyone else. Roney hung with Miles during his formative years, and the impact of the experience on his development is something he makes no attempt to cover up. So when people latch onto the effect that Miles Davis had on trumpeter Wallace Roney, it's fair to ask, "so what?" Few can say that their lives haven't been influenced in some way by the views or work of others.
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